Sign in. Get a look at the action from the star-studded panels and check out the incredible cosplay from this year's fest. For more, check out our coverage of New York Comic Con. Browse our NYCC guide. Title: Pornucopia: Going Down in the Valley —.
Follow IMDb on. TV Short Most of them are normal. Even in the time since we shot the film, the general population—frustrated by cheap, repetitive and ridiculous films—seems to Hbo pornucopia bigfoot sex pornucoipa against the genre. Sex and violence in and of themselves are repetitious, hard to watch, and not very interesting. Jim was the gift that kept on giving. Herself 2 episodes, Clive McLean
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- The mini series describes exploration of the lives and experiences of several adult performers and directors who have working in the porn industry.
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A website gives a regular guy the chance to have sex with a porn star, but when he fails to perform, his humiliation leads him to commit the most horrendous acts imaginable. We wrote and executive produced the film together: Robert directed while Lukas raised the money. Although Lucky Bastard is descended from many genres—thriller, suspense, slasher, found-footage and mockumentary—we saw it as an opportunity to say what we wanted by combining genres in a way that upended audience expectations, creating an art film in the guise of an exploitation film.
We started with a shared belief: that many movies set in the world of pornography, with some notable exceptions, seemed tailored for an R rating or otherwise feared offending audience sensibilities. We wanted to do the opposite. We wanted a modern, empathetic take on adult-film actors and filmmakers as ordinary people earning a living. One of our earliest important decisions was drawing the line on explicit content. We needed the audience to believe they were watching real people in the adult entertainment business but we wanted no one mistaking Lucky Bastard for pornography.
That was our boundary. Believing that cutting for an R, if even possible, would ruin the movie, we accepted the NC Because despite the commercial damage it would do, we abhorred the idea of the movie being seen by young and inappropriate audiences. Not worrying about the rating when we started had a liberating upside.
It gave us the freedom to include sex, nudity and violence as the story demanded. Primarily we wanted to establish verisimilitude at the front of the film. Sex and violence in and of themselves are repetitious, hard to watch, and not very interesting. So once we established our bona fides we kept our cast mostly clothed for the drama comprising the bulk of the story. In fact, we underplay most of the climactic violence, which, we hope, contrasts with some of the earlier extreme content.
This provokes the viewer into questioning why they come to a movie for violence in the first place. Our next major creative challenge was making the found footage or mockumentary format new. Even in the time since we shot the film, the general population—frustrated by cheap, repetitive and ridiculous films—seems to have turned against the genre. Then we got lucky. Never underestimate luck in making a movie.
We were gifted with a genuine wizard as a cinematographer: Clay Westervelt, a veteran of narrative, documentary and reality filmmaking. Clay blew us away with his ingenuity, creativity and shrewd judgment, supported by his good-humored personality. As early as the first day of tech scouts, when he was thinking aloud about how to shoot the picture, Clay began inventing a new visual language to suit the script. First and foremost he worked to establish verisimilitude.
Found-footage excuses many sins. Lighting is faster so shooting is faster. But the form creates its own problems. The story must justify every single shot. For the first half of our film this was mostly not a problem; we establish that the characters are filming their experiences for their website. But when the murders commence we slowly lose our cameramen. The action has to be captured by stationary cameras.
We had to carefully plan where the wall cams were established early in the story so that the later action could believably be captured. For the final act Clay found that the shooting style, as modern as it is, ironically takes on the quality of early s-era talkies; the acting and blocking has to carry the day, with scenes played in proscenium masters and with mediums where close-ups would today be the norm.
Every director will tell you the basic secret of filmmaking: Cast it right and everything else takes care of itself. We gambled that even though many actors and their agents would turn down roles because of the subject matter and trivial pay, others would love the challenge of difficult and provocative work.
All we had to do was find them, and again we got lucky. Christine Sheaks, our casting director, whose credits purely as a coincidence include Boogie Nights , assured us she could cast the film. For us the bloom was long off that rose.
If our actors were recognizable from other work, so be it. Can we say it again? Our greatest blessing in the luck department came in the person of Jim Wynorski, our producer and UPM. Jim was the gift that kept on giving. He hired our entire crew—including our brilliant editor, Tony Randel himself famous among horror fans for directing Hellbound: Hellraiser II.
Lukas Kendall is the founder of Film Score Monthly. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. This site uses Akismet to reduce spam. Learn how your comment data is processed. In an impressively executed overhead shot, the camera gazes down onto placid Antarctic waters as You may also like Programming the Nation? Leave a Reply Cancel reply Your email address will not be published.
In comparison to other so-called documentary series that are totally waste of time, such as the Cathouse and G-string diva series, this TV series is much better, directly, honestly, and bravely facing something explicit, which results in making this TV series rated NC instead of the R-rated Cathouse series and G-string diva series. Rate This. Jonathan Morgan. We get to see the movie camera change angles, and the actors stop and start their action. Vincent Vega. With hidden Trailers and Videos.
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Sign in. Get a look at the action from the star-studded panels and check out the incredible cosplay from this year's fest. For more, check out our coverage of New York Comic Con. Browse our NYCC guide. Title: Pornucopia: Going Down in the Valley —. Documentary series that explores sex in the '90s. Each episode has several segments about current trends in sexuality as well as street interviews with common people.
America's most effusive adult-film star, Katie Morgan, leads a juicy, up-close-and-virtual journey through the world of sex toys. Adult-film star Katie Morgan answers a series of sex-related questions Adam Glasser also known as Seymore Butts is a Jewish porn movies director.
Along with cousin Stevie, mum Lila, and other friends, he runs his porn movies company. Once you will watch this A taxi was rigged with six lipstick-size hidden cameras. The passengers are real and talk about their personal life, sometimes sexual, to the driver. The passengers did not know they were For a book project, photographer Timothy Greenfield-Sanders took photographs of 30 stars of adult movies, each pair of photographs in the same pose, clothed and nude.
This film records the Ever-naked adult-film star Katie Morgan answers an arousing series of sex questions posed by viewers, callers, e-mailers, and others.
The mini series describes exploration of the lives and experiences of several adult performers and directors who have working in the porn industry. Watched the documentary series with my wife, who originally turned me on to its Real Sex original.
What a wife! We get to see what porn stars are like when they aren't porning. Most of them are normal. They just like sex. A lot. They talk about the body parts involved and what they're doing as casually as others talk about an itch on their elbow. The starlet we first meet, Katie Morgan, originally comes across as an airhead, but we see her in one of the later shows being interviewed and quizzed on a radio show, and she's not unintelligent.
The show tended to repeat some bits -- I was gonna say snatches but thought better of it -- quite often, and I think if I'd heard Ashlee or Bambi or whatever say "Finger lickin good" one more time it would have put me off porn forever, but mercifully they stopped in time.
Did you know that the female stars control who they will and will not, um, boink? Bet you didn't. Women veritably run the show. That's feminism! We get to hear how porn stars balance love and relationships with porn acting: some embrace it; others go to female-only sex until they break up and marry someone else.
We get to see directors and crew commenting on the meal catering while in the background is obviously a money-shot being filmed. They musta been real hungry We get to see a few clips of Jenna Jameson, thankfully, and none of Ron Jeremy, also thankfully. We get to see the movie camera change angles, and the actors stop and start their action. On cue. I could never accomplish that. Frankly, I'm in awe. Makes me appreciate what they do all the more. And wasn't that the point?
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Episodes Seasons. Photos Add Image. Learn more More Like This. Vivid Valley. Real Sex TV Series Stars: Karen Chmielnicki, Katie Morgan. TV Short Documentary Short. A documentary series that explores sex in the information age. Cathouse: The Series — Family Business TV Series Taxicab Confessions TV Series Comedy Reality-TV.
Zombie Strippers! Comedy Horror Sci-Fi. A zombie epidemic spreads throughout a strip club in Nebraska. Vivid Valley TV Series The real lives of the Vivid Girls, the most successful actresses in the Porn Industry. Edit Cast Series cast summary: Paul Fishbein Herself 4 episodes, Christian Mann Himself 3 episodes, Jim South Herself 3 episodes, Evan Stone Himself 3 episodes, Jonathan Morgan Himself 3 episodes, Jenna Jameson Herself 2 episodes, Clive McLean Himself 2 episodes, Chris Cannon Himself 2 episodes, Al Goldstein